This week's picture prompt is by photographer Francesca Woodman. This is called this House #3, Providence, Rhode Island, 1976. She was an American/Italian artist who committed suicide in 1981 at age 22. She jumped off a building. She was in the midst of a depression, said to be caused by the lack of recognition for her art combined with the breakup of a relationship. From all her images I get the impression she didn't feel 'seen'. She created some really interesting pictures. It's such a shame.
Both the picture and the artist's personal story inspired my entry.
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Invisible
She sat there in the room, but they didn’t
see her. It was like she was invisible. She’d considered that maybe she was a
ghost and didn’t know she was dead yet, but she could feel her heartbeat, and the
pain when she dug her nails into her wrists.
She
imagined just floating right out of the room, imagining the freedom, rather
than the obligation of having to remain seated here, surrounded by a group of
people she barely knew, who had little interest in knowing her. But she didn’t
do it for them, she did it for him.
And
did he see her? She was beginning to doubt it, not when he was with them. Alone
he saw her, endeavoured to interact, although it felt less and less.
It
was like she was fading and she couldn’t stop it from happening. There was
nothing here to tether her, to keep her connected. She’d drift off inside her
own head and disassociate herself from the present moment; observe rather than
engage. It felt cold and empty. She circled back to the ghost reference; she
felt like she was dead here.
And
as she sat there trying to fight her feelings, her gaze drifted to the window and
the world outside. There was life out there: green, vivid, vibrant and tangible
but for the glass. Now the analogy became that of a prison. She could see life,
but she couldn’t touch it or embrace it, or walk within it, she was solely
forced to watch and remain powerless.
She
returned her view to the people sitting round the room. All pleasant in their
own right, all civil when they needed to be, but not interested, not in her.
She was not one of them. She sat on the outside, on the fringes. They were here
for him.
He
flashed a smile from across the room, behaving as though she was actually there
as an active member of his group, engaged and not sitting alone in a corner
watching, left alone by those sitting nearby who chose not to talk to her. She
responded with a faint smile. He seemed unconcerned and went back to his
conversation.
He’d
seen her for a second, now she was gone.
She
got up from her seat – no one looked. She moved over to the window and stood
looking out. It was a large sash window and she lifted up the bottom half to let
in the breeze and the sound of the birds. Outside the flat roof to the kitchen
extension beckoned. She looked over her shoulder, no one saw her.
She
put one foot through and then the other and stood there, waiting to see if
someone came to ask her what she was doing. Nothing. She glanced back through. They
were laughing about something that had happened ten years ago, long before she’d
even met him. She pulled the window down.
She
walked over to the edge of the roof and sat down on the edge, dangling her
legs. She peeked over the edge. It wasn’t far down. If she jumped though, she
might break something. She didn’t want to do that. There was a drainpipe and
ledge from a window. She pushed the pipe with her foot, it didn’t move, so she
clung onto the top and lowered herself down, wrapping round it. It held. She
reached her foot out to the ledge, and edged onto it. Now she was low enough to
jump.
It
was nice to be on the ground and out in the garden, in the green. She walked
into it. It opened into a field at the end. She went through and started
walking, imagining herself disappearing like a wisp. Never to be seen again.
And
he never did see her again.
A very moody and dark photograph for me. So a suitably dark story too. ’Ghosts of a Past Forcibly Forgotten’ by A.J. Walker
ReplyDeleteI like that. Dark, but heartbreaking. Thanks for joining.
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